It feels Voukoder itself was corrupted, try reinstall it. Multiple encoders failed to load from start; go for older/other After Effects version as well.
Beiträge von iAvoe
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If you are using PotPlayer, change to MPV and see if that displays correctly
Check your OBS/other recording software video options, the source has to be Full color range and BT.709 color space as well, I know you said Premiere it looks right, but still try check that.
Check the Output - Video tab, the color range is supposed to be Full instead of Limited
Try 8bit instead of 10bit, both set in recording and Premiere export.
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Try update GPU driver (clean install, recommend using nvcleaninstall.exe).
Try disable Resizible BAR if you have it enabled
Try use OBS (the only software I know has NVENC option) and see if that could get GPU encoding up and running
Note: GTX 1650 super uses TU116 chip and should be running Turing NVENC engine, maybe encoding was confused with some GTX 1650 with Volta NVENC engine, I'm not very sure about this
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Hi Vouk! Thank you for replying.
Use cases for me for small files are emailing review versions.
I am an animator and motion designer, working on short ads etc. Also the internet is slow around here compared to Europe and the US.
Is there any where you might point me to to learn further about these terms? ABR, CRF or CQ(P).
Cheers!
Emailing video is not really a good idea (I remember there are 25MB file size limit), but you can try shrink resolutions; use OneDrive/GoogleDrive to share larger videos; or build a public torrent transmission and email just the torrent file to the client
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HDR Support (x264 & x265):
Tagging DCI-P3: --master-display G(13250,34500)B(7500,3000)R(34000,16000)WP(15635,16450)L(?,1)
Tagging BT.709: --master-display G(15000,30000)B(7500,3000)R(32000,16500)WP(15635,16450)L(?,1)
TaggingBT2020: --master-display G(8500,39850)B(6550,2300)R(35400,14600)WP(15635,16450)L(?,1)
The L(?,1) indicates lux ratio (e.g., 1000:1). This value has no standard and needs to be checked and written manually on each HDR video.
If tagging for the source vid is unknown, find 1 of the following format in source video metadata:
DCI-P3: G(x0.265, y0.690), B(x0.150, y0.060), R(x0.680, y0.320), WP(x0.3127, y0.329)
bt.709: G(x0.30, y0.60), B(x0.150, y0.060), R(x0.640, y0.330), WP(x0.3127,y0.329)
bt.2020: G(x0.170, y0.797), B(x0.131, y0.046), R(x0.708, y0.292), WP(x0.3127,y0.329)
Content lumiance x265: --max-cll <max content light level cd/m2, max frame-avg light level cd/m2> e.g., 1000,640
Content lumiance x264: --cll <max content light level cd/m2, max frame-avg light level cd/m2> e.g., 1000,640
CLL has no standard and needs to be checked and written manually on each HDR video
Indicate HDR10 content in supplemential enhance info (SEI),
x264: --hdr10Optimize HDR10 content (increase video size) per block (optional,
x264): --hdr10-optIndicate color range and transfer properties: --colormatrix <as source> --transfer <as source>
Color range can vary thanks for both compatibility and multple HDR implementations, (e.g., gbr bt709 fcc bt470bg smpte170m YCgCo bt2020nc bt2020c smpte2085 ictcp). Check the source video metadata for them
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I'm not very sure on x264 and x265 inside ffmpeg library, but x265 has a decent support on HDR videos. I've posted HDR settings of x265 in a new post under knowledge tab
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x265 is just too complex to figure out for past myself, so after watched too much lectures and papers, testing myself and checking forums, here I'm giving out parameters years late. I'll try deleting the old posts regarding x265 as well. In this post I'll give out 6 combinations, and explain key features of each. Since x265 has hundreds of parameters to tackle with, I'll remove all the customizations and just give the fixed amounts.
Note: --strong-intra-smoothing filter is enabled, because it's a parallel feature with 3-tap filter in intra frame search. It only applies in specific conditions according to the formula, and makes overall encoding faster with minor quality loss. Data smoothing is also not blurring which preserves patterned details.
Note: I'm more of an enthusiast instead the expert, the borderline inbetween expert and enthusiast is probably being able to read and explain rate distorsion function where everything becomes university master/doctor level, so please don't exprect these parameters to be prefect
General Purpose for video platforms
Simple and quite effective, less capable at compressing some scenes, qpmax is still configured for perserving output quality, YUV4:2:0 8bit, 10bit
Block Splitting - Transformation: --min-cu-size 16 --limit-tu 1 --tu-intra-depth 2 --tu-inter-depth 2
ME - Compensation: --me umh --subme 5 --merange 48 --rskip 1 --weightb
Referencing - Rate Control: --ref 3 --early-skip --max-merge 2 --no-open-gop --min-keyint 5 --fades --bframes 11 --b-adapt 2 --radl 2 --fast-intraVarious Parameter Sets: --opt-qp-pps --opt-ref-list-length-pps
Intraframe Search: --fast-intra
Quantization: --crf 18 --crqpoffs -3 --cbqpoffs --qpmax 26
Adaptive Quant: --aq-mode 3 --aq-motion --qg-size 16
RDO - Mode Decision: --rd 3 --rdpenalty 1 --splitrd-skip --rdoq-level 1 --limit-modes --rect --tskip-fast
Sample Adaptive Offset: --limit-sao --sao-non-deblock
Output: --hash crc --allow-non-conformanceMultiple CPU nodes: --pools +,-
Standard for video platforms
Takes more compute resources, no advantage against General Purpose in simpler scenes, YUV4:2:0, 4:2:2, 4:4:4 8bit, 10bit
Block Splitting - Transformation: --min-cu-size 16 --tu-intra-depth 3 --tu-inter-depth 4 --limit-tu 1
ME - Compensation: --me star --subme 5 --merange 48 --rskip 1 --weightbReferencing - Rate Control: --ref 3 --max-merge 2 --early-skip --no-open-gop --min-keyint 5 --keyint 390 --fades --bframes 13 --b-adapt 2 --radl 3
Various Parameter Sets: --opt-qp-pps --opt-ref-list-length-pps
Intraframe Search: --fast-intra
Quantization: --crf 20.5 --crqpoffs -4 --cbqpoffs -2 --qpmax 26
RDOQ: --rdoq-level 2
Adaptive Quant: --aq-mode 3 --aq-strength 0.9 --aq-motion --qg-size 16
Mode Decision: --rd 3 --rdpenalty 1 --splitrd-skip --rdoq-level 1 --limit-modes --rect
Rate Distorsion Optimization: --psy-rd 1.6 --rdpenalty 2 --splitrd-skip
Deblocking: --deblock 0:0Sample Adaptive Offset: --limit-sao --sao-non-deblock
Output: --hash crc --allow-non-conformanceMultiple CPU nodes: --pools +,-
NAS/Server playback recovery: --idr-recovery-sei
High Compression - Film
Burst high bitrate scenes will be compressed. Not recommended for video platforms, recommend shifting chroma plane resolution up for this one: YUV4:2:2, 4:4:4 8bit, 10bit
Block Splitting - Transformation: --min-cu-size 16 --tu-intra-depth 4 --tu-inter-depth 4
ME - Compensation: --me star --subme 5 --merange 48 --rskip 1 --weightb
Referencing - Rate Control: --ref 3 --max-merge 4 --early-skip --no-open-gop --min-keyint 2 --keyint 400 --fades --bframes 15 --b-adapt 2 --radl 3
Various Parameter Sets: --opt-qp-pps --opt-ref-list-length-pps
Intraframe Search: --constrained-intra --b-intra
Quantization: --crf 21 --qpmin 10 --crqpoffs -3 --cbqpoffs -1 --hrd --vbv-bufsize 30000 --vbv-maxrate 50000
RDOQ: --rdoq-level 2
Adaptive Quant: --aq-mode 2 --aq-strength 0.9 --qg-size 8
Mode Decision: --rd 5 --rdpenalty 1 --splitrd-skip --rskip 0 --limit-modes --rect --amp
Rate Distorsion Optimization: --psy-rd 1.9 --rdpenalty 1 --rd-refine
Deblocking: --deblock 0:0
Sample Adaptive Offset: --sao-non-deblock --selective-sao 3Output: --hash crc --allow-non-conformance --nr-inter 5 --nr-intra 5
Multiple CPU nodes: --pools +,-
NAS/Server playback recovery: --idr-recovery-sei
Render to Reuse (video editor --> video editor)
Some filters costs too much computing resources, therefore render a finished video and re-import is cost saving. Not sure when will premiere support hevc, but voukoder is not just for premiere, so this should still be useful: YUV4:2:2 8bit, 10bit
Block Splitting - Transformation: --ctu 32
ME - Compensation - Intrasearch: --me star --subme 6 --merange 48 --analyze-src-pics --weightb --max-merge 4 --early-skip --b-intra
Referencing - Rate Control: --ref 3 --no-open-gop --min-keyint 1 --keyint 350 --fades --bframes 7 --b-adapt 2
Various Parameter Sets: --opt-qp-pps --opt-ref-list-length-pps
Quantization: --crf 17 --qpmax 24
Mode Decision: --rd 5 --limit-modes --limit-refs 1 --rskip 1
Deblocking: --deblock 0:0
Sample Adaptive Offset: --no-sao
Output - Mastering: --hash crc --allow-non-conformance --tune grain
Multiple CPU nodes: --pools +,-
NAS/Server playback recovery: --idr-recovery-sei
High Compression - Anime
For subtitle/translation groups and uploading to video platform. This parameter considers both high and low budget anime, include opening, ending and main content. The secret is to max out all the possible block splittings possible, because high-freq info here are mostly hand drawings and should be perserved: YUV4:2:0 8bit, 10bit
Block Splitting - Transformation: --ctu 64 --min-cu-size 8 --tu-intra-depth 4 --tu-inter-depth 4 --max-tu-size 4 --limit-tu 1
ME - Compensation: --me star --merange 48 --analyze-src-pics --subme 3 --weightb --max-merge 4 --early-skip
Referencing - Rate Control: --ref 3 --no-open-gop --min-keyint 5 --keyint 360 --fades --bframes 15 --b-adapt 2 --radl 2
Various Parameter Sets: --opt-qp-pps --opt-ref-list-length-pps
Intraframe Search: --b-intra
Quantization: --crf 20 --crqpoffs -3 --cbqpoffs -1 --cu-lossless
RDOQ: --psy-rdoq 2.3 --rdoq-level 2
Adaptive Quant: --aq-mode 3 --aq-strength 0.7 --qg-size 8
Mode Decision: --rd 5 --limit-modes --limit-refs 1 --rskip 1 --rect --amp
Rate Distorsion Optimization: --psy-rd 1.5 --rd-refine --splitrd-skip
Deblocking: --deblock 0:0
Sample Adaptive Offset: --limit-sao --sao-non-deblock
Output: --hash crc --allow-non-conformance --single-sei
Multiple CPU nodes: --pools +,-
NAS/Server playback recovery: --idr-recovery-sei
High Quality - Anime BDRip Coldwar Duels
For Blue-ray DVD Ripper social network's common agreement on: high quality encoding means "paused dark scene zoomed-in 4~5 times size" should look just as good as the source footage, and I bet the x265 devs will freakout after reading that line, but that's reality on why some BDRip providers/groups are decent but gets less downloads
. Compare to HC-Anime, x265 needs to give up some compression features to realize this requirement: YUV4:2:0 8bit, 10bitBlock Splitting - Transformation: --ctu 64 --min-cu-size 8 --tu-intra-depth 4 --tu-inter-depth 4 --max-tu-size 4 --limit-tu 1
ME - Compensation: --me star --merange 52 --analyze-src-pics --subme 3 --weightb --max-merge 4 --early-skip
Referencing - Rate Control: --ref 3 --no-open-gop --min-keyint 1 --keyint 360 --fades --bframes 11 --b-adapt 2 --radl 2 --pbratio 1.2
Various Parameter Sets: --opt-qp-pps --opt-ref-list-length-pps
Intraframe Search: --b-intra
Quantization: --crf 18.5 --crqpoffs -5 --cbqpoffs -3 --cu-lossless
RDOQ: --psy-rdoq 2.3 --rdoq-level 2
Adaptive Quant: --aq-mode 3 --aq-strength 0.7 --qg-size 8 --aq-motion
Mode Decision: --rd 5 --limit-modes --limit-refs 1 --rskip 2 --rskip-edge-threshold 2 --rect --amp --no-cutree
Rate Distorsion Optimization: --psy-rd 1.5 --rd-refine --splitrd-skip
Deblocking: --deblock 0:0
Sample Adaptive Offset: --no-sao
Output: --hash md5 --allow-non-conformance --single-sei
Multiple CPU nodes: --pools +,-
NAS/Server playback recovery: --idr-recovery-sei
Thats it.
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I think AV1 is still too early, shoukd wait for it become mature and get more format supports (I'm not sure current state, at least wait for support in yuv4:4:4 4:2:2 and 4:2:0, and a bunch of instruction sets)
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I use it for basic editing, CD ripping, extraction & converting. compare the quality of Audition with Pro Tools & other pro DAW here:
Sorry for previous probably offensive comment, just had a bad sleep
I didn't realize you were not talking about exporting, but just saying after lots of attempts, export a lossless version and use QAAC -a 320 does give the best quality in lossy audio among all other options
For importing, the best way for now is to convert your lossless source file to another lossless file that Audition supports, it depends on Adobe to consider adding any codec support so I recommend you to leave a feedback on Adobe forum and Audition subreddit
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No, using Audition only, not any other 3rd-party!
what... you don't compose or mix music? How do you even work with audio with Audition only?
(you also cannot use Voukoder because it's 3rd party, if you insist)
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I want to directly compress it to lossy formats & I don't want to buy & install extra apps like dBpoweramp!
So what you want to do is download a QAAC on github, and problem solved...
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So you're saying that MainConcept products are horrible? So the MainConcept MP3 encoder is horrible too!
Guys, if Audition users donate to Voukoder, does he develops FFmpeg import plug-in?
That aac encoder is horrible because it destroys your high pitch audio profile, and there are lots of distorsions in mid range, QAAC is way better
I don't know who made this aac encoder but if that is the quality it offers then that MP3 encoder would be sub par
Can you tell what's the reason Audition requires a output plugin support? I would just output .wav and then compress it
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Already supports AAC using MainConcept AAC SDK!
that one is horrible on quality, DO NOT USE, output with raw wav and then use QAAC to compress, and mux into the mp4 in output
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Is it possible to import audio files like: Dolby, DTS, Bink Media using Voukoder FFmpeg plug-in?
before that it actually need REAL QAAC, and then we can talk about other audio codecs lol
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On obs studio u have to choose a filter, even if i'm not downscale/upscale. Then maybe i selected it but not using it at all? I heard lanczos not much better
that's upscaling/downscaling filter, make sure you record resolution is same as output resolution, it's in the settings-video tab, in your case both are supposed to be 1920x1080 (the filter process will be ignored then)
You,can also change recording fps on there, that's why I asked you does Twitch allow you to record in 57fps lol
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I've studied video encoding as a hobbit for 4 years, and unfortunately I've eventually found you get what you paid
the best way to get small file size, decent quality and speed all together, you need bare minimum a ryzen 3600x or i7 8700k running x264 with low latency ram, and that's the baseline acceptible you are looking for
but that may offer a good quality, it's not going to be the case on file size, if you dare want extra 40% size reduction, get 10 cups of coffee or upgrade your CPU
how about x265? well, you can get 3fps on a 3800x / 9900ks for a 65% size reduction, but if you use is's potential for the best file size and quality, x265 will beat down a 3970x into a 6fps snail
Disney had a house sized expensive video rendering supercomputer, and it take weeks to sqeeze out a clip movie, it's very difficult to compress and render video, you can't judt cheat through
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??
There are millions of people who want to upload videos created with Premiere to Youtube but have problems either because their file is too big or because final quality on Youtube is not enough good.
What do you not understand in this simple concept of wanting to upload a video of a reasonable size to have a satisfactory rendering on Youtube?
To say that there is no solution is not an acceptable answer; So I offer mine to the community,
because there is no such thing,
if you want speed and quality, you get huge file size;
if you want file size and quality, you get very low speed
if you want high speed and file size, you get bad quality
especially if you are using a budget computer
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Alles anzeigen
Hello, I disagree with your message...
I'm talking about the weight / quality ratio for Youtube destination, so by also considering upload time which is a problem for many people, therefore lossless formats are irrelevant.
No, the GTX1000 series is not the most efficient for the quality / weight ratio since it does not support B-Frames for HEVC. The object of the discussion is not the encoding speed which I consider sufficient with Nvenc.
GTX 16x0 and RTX cards have almost same performance and quality for encoding,
(and
GTX 1650 Super with GPU TU116 4Go GDDR6
GTX1650 with GPU TU106 4Go GDDR6
GTX1650 with GPU TU116 4Go GDDR6
GTX 1650 Ultra with GPU TU106 6 Go GDDR6
But not
GTX1650 (original) with GPU TU117 4Go GDRR5
GTX 1650 G6 with GPU TU117 4Go GDDR6
)
I do not see the point of doing 4:4:4 starting from 4:2:0 which is largely what is more popular on Youtube. The normal user is not going to do this, he will be content with the complexity of the settings of software like Handbrake.
I think that you are lost in your settings and that you forget the main thing which is not to have fun with tons of parameters but to have an effective generic solution for the majority of users who want to quickly put a video on Youtube and get a good quality.
uh... yeah... but... there's no such thing to get good quality and concerning file size with a push of button, unless you are going lossless (and buy an enterprise SSD to spped things up
)(or watch video on a smaller mobile phone screen XD)
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Alles anzeigen
Oh ok, I'll stick with none then, do you think subme is really important and pump down other settings instead?
Right now I'm using this:
"1080p59.94 fps
Bicubic filter
Color 709 partial
Preset: veryfast
Profile: none
CRF: 22
Bitrate: 7777kbps
Buffer: 3500kbps
Keyint: 2 (twitch want this)
tune:none
Options:
me=umh subme=5 chroma_me=0 bframes=5 b-adapt=1 ref=3 aq-mode=1 aq-strength=1.1
deblock=0:0 trellis=2 direct=temporal cabac=1"
done like 10 hours stream with this right now with no losing frames, stream looks good and I'm pretty happy with it, but if u think I can pump up subme and turn down other things for better result, then better.
At the end, I don't know how to thank you, you replied to everything I asked ❤️ and even if I'm not an expert, I'm in love with this forum, thanks to you.. Thanks for all the time you dedicated to me and (plot twist) I love your avatar, even if I don't know the anime. Have a good day,
Ciommi
try to remove bicubic filter (not sure why you are having a filter) and make color depth to full instead of partial, that will improve your quality
my avatar in a touhou project character in a IOSYS flash music video
Later when you upgraded encoding CPU to 2700 in 4Ghz or 3800x default with RAM under CL16 latency in 3200mhz, I guess you can boost subme to 7~10 range, and use other parameters like no-fast-pskip=1, after all these you can bump bitrate from 7777 to 7800, this should give a much better quality at hard scenes
